裸視3.0的三種視界-張芳榜、沈信佑、劉芸柔三聯展
展期:2018-05-10~2018-06-26  地點:102當代藝術空間(台南市仁德區成功三街102號)
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策展人/戴明德 Curator/ TAI Ming-Te

 

正常「裸視」範圍乃在0.9-2.0之間。而裸視3.0 即非正常視力,除了尋常事物之外,經常看到不該看到的東西,而這些我們會將視線避開的的範圍,或看不到的範圍,恰恰就是裸視3.0的視界範圍。所以3.0所隱喻象徵的是進化的印記,更是推陳出新的延展,也是跟上時代潮流的代碼。

The range of normal “visual acuity” is between 20/25 and 20/10 vision. And 30/10 vision is the abnormal vision, people who have 30/10 vision means they are able to see something they should not see besides the normal things. In this range which we try to avoid seeing something or we can’t see, is exactly the range of 30/10 vision. Hence 30/10 (3.0) is metaphorized the mark of evolution, the extension of innovation, and also the code of fashion.

看到慾望自身,使慾望可視化,年輕的藝術創作者張芳榜、沈信佑、劉芸柔,身體裡有著強烈的睪固酮或是雌激素作用著,刺激著眼球去觸及不可見的慾望,使之可視化。有的透過顯性的雄性符號、有的透過隱性的陰性書寫,無論是一種陽性的表露彰顯、抑或是陰柔的視覺觸感,都是意圖將被遮蔽的慾望,透過創作手法揭露,使之「裸」裎相見。這樣超乎常人視力與倫理規訓範圍之外的呈顯,需要特殊的視野與十足的勇氣。產出的作品令觀者在正常視力與道德邊界中,失焦與再聚焦、排斥與接受。接受後會心一笑:「太陽底下沒有新鮮事,青春無敵。」

Seeing the lust itself, and making it to be visible, young artists CHANG Fang-Bang, SHEN Xin-You, and LIU Yun-Rou have high testosterone or estrogen levels working in their own body, which affect their eyes to reach the invisible desires and make them be invisible. By dominant male symbol or recessive female writing, no matter they belong to masculine appearance or feminine visual tactility, they all intent to make the hidden desires to be seen via their creation methods. They need extraordinary point of views and extreme courage to show the conception beyond the normal visual acuity and moral principles. Thus their artworks put ordinary people into the moral boundary, being out of focus then focusing on them again; rejecting then accepting them again. After people accept those paintings, they will smile and think: “There is no new thing under the sun; youthful invincibility.”

所謂太陽底下沒有新鮮事,是指藝術史上很多藝術家都處理過慾望的問題,如畢卡索的公牛與葛飾北齋的章魚,都是慾望的化身,年輕的藝術家以網路時代的情色影像傳輸內心的慾火與生理變化轉譯成可慾望的對象與視覺觸感之裸視。張芳榜以直視慾求的經驗,幻化為對「圓」像中生滅死亡再生不斷的複製愛語符號。沈信佑以直白毫不掩飾,顯露山形人體及性徵圖像符號,自己獨自營造超自然的幻境。劉芸柔以女性特有的婉約陰柔的細緻書寫;綿延不斷的重複性與喃喃自語般編織造形的特殊能量。這三位新世代藝術家生活在媒體時代,處理慾望的手法不相同,以當前流行文化與自身處境作為創作上完成裸視3.0的可能性。

“There is no new thing under the sun”, which means many artists in art history had expressed about the desire in their artworks, such as the bull in Pablo Picasso’s Le Taureau (The Bull) and the octopuses in Katsushika Hokusai’s Tako To Ama (The Dream of the Fisherman's Wife), are the incarnations of desire. The young artists use erotic images of Generation Z to describe the horniness and physical changes, and translate into desired objects and visual tactility in “visual acuity.” CHANG Fang-Bang used the experience of viewing directly to the desire, which is transformed to the life and death in “circular” images that constantly copies the marks of love language. SHEN Xin-You used the body shape of down below and symbols of sexual images in strait, direct way, he created a supernatural fairyland by himself. LIU Yun-Rou used the exquisite writing of women in gentle way, which has the continuous repeatability and special energy of knitting models in self-mumbling way. These three artists live in the media age, they used different ways to express the desires, and compete the possibilities of 30/10 vision in visual acuity by their create works of popular culture and their own situations.

 

 

 

 


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